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Painting: ‘The Execution of the Lincoln Conspirators’: Oil on canvas: Version 4: 5’ x 5’ 2012-2015.

The additive and subtractive procedure of the painting process echoes the photographic binary of latency and development, and negative and positive.

This is represented philosophically as presence and absence.

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Where a painting  begins.

November 2015: Where a painting is completed.